"Cinemed" — Some Reviews, Part 2

I'm not going to review too much in this one, but I generally liked the Panorama no. 2 selection. My favorite piece was "Cœur Léger" (Light Heart) by Marco Gianfreda (Italy, 2011, 15 minutes), which was very emotional and ended poetically. In brief, it involved a young boy spending a lot of time with his friends, probably because of his estranged relationship with his father; and his father, who wanted to kill himself, seemed very sad, quiet, and did not pay much attention to his family it seemed (unless he was directly spoken to)... In the end, the young boy secretly climbs into the back of his father's truck, and his father begins driving. His father attempts to drive himself off into the river but is stopped because his son in the back bangs on the window and gets his attention, "It's me, Luca!" — he said. His father's eyes light up, and he stops the car. Then, after a short conversation, they begin walking and arrive upon a carnival. The young boy asks his father which ride he would like to try. The father, still quiet and strange, says, after looking around, "That one." They climb aboard the ride, and it begins to go. The father tenses up (much like the tension when he's in his car, attempting suicide), but then sees his son in the seat in front of him with his arms spread. "It's like flying!" — his son said (paraphrased). Eventually, the father smiles, and seems to be actually enjoying himself, as if he's just rediscovered life. It was very sweet. The other film I liked was "Laszio" by Nicolas Lemée (France, 2010, 4 minutes). It was an animation, which looked much like paper cut-outs (mostly because they were, and then manipulated). It was the story about not really belonging anywhere, always being considered an illegal immigrant just because of the way you look or where you are, thinking you've finally found home and then being pulled away by police or unknown forces, etc. It was very beautifully animated, and I got a chance to speak a little with that animator afterwords.

In fact, it was a little bizarre. I was hoping to just talk with him briefly, but the announcer (Michelle) ended up inviting me and a few others to dinner at the restaurant just inside the building. It was sort of awkward at first, I think, because I didn't expect to be swept up in the evening out, but I had a lot of fun! I talked mostly with a young French woman who worked there, and was a filmmaker—I forgot her name at the moment, but when I think of it, I'll share her first name— and she actually sat next to me for the previous presentation (and I borrowed her pen). It was a funny coincidence that we ended up at dinner together. Anyways, I also talked with Ela, from Poland, who I believe works there as well, and a young French man of Spanish origin, who's name starts with an M (but I forgot the rest)—he works at the Film Festival and also is a filmmaker. I spent most of the time talking with him, and it was actually great fun. We talked about various things, weather, travel, studies, art/film, etc. He's apparently going to Canada (near Vancouver) in January. I warned him about the cold weather. I think I made him nervous about how cold it gets in the north!

And then before you know it, it's almost 1am and the trams are no longer running! Well, by the time M and I got there, my tramway had stopped running, so we both took the blue ligne to the same stop. I was considering walking the rest of the way, but M gave me a lift, which made the whole process a bit easier. Instead of a 40 minute walk, I had about a 10 minute walk. Yay for kindness!

Long story short, I had a lot of fun going to the Film Festival today, and I hope to go back later in the week, and I had a great time with the impromptu dinner with 5 folks, and making 3 new friends! Like I said, too, before, I feel less sick today. Today has been a good day!

"Cinemed" — Some Reviews, Part 1

I just got back from watching a few "experimental" shorts. I'm putting the word experimental in quotes not because I have a thing against it, because I in fact love and participate in experimental work, but because I think the film festival just puts miscellaneous films under the "experimental" title. The announcer even said that the reason they were considered "experimental" was because they didn't fit the categories of documentary or narrative film. Sorry, Mr. Announcer! I don't think "experimental" means "miscellaneous." Experimental is a whole other can of worms. Nevertheless, let's get on with the reviews of some of the shorts. For Burning Emina by Bennet Pimpinella (Italy, 2010, 16 minutes), we see a man (though not his face) without a shirt, and he places thick, black tape vertically on his torso and places another piece horizontally over his nipples, forming a cross. He then takes a marker, and begins to trace the cross. As he draws, you can see animated white lines appearing on the path traced by the marker. The texture of those white lines is much like ripped paper. The whole scene seems filmed in a way to make it feel old and as if made through a home video camera from the early 80s. So, this man has traced the cross onto himself. Many of the following scenes are him tracing such a cross on the tops of many different women. In the end, we see a woman tracing the cross onto a man. This theme persisted for all 16 minutes. I'm not sure if I liked the fact that you can tell that the subjects were aware of their being filmed, but at the same time, it added to it in the sense that you then knew that they were pretty much innocent bystanders who probably don't know the artist at all. You can even see their reactions when the tape was pulled off their breasts. After the film, and when the lights went up in the room, an audience member said, "Buuf, c'est fini!" really loudly. I guess he didn't care much to see so many topless people(women). I thought this film was interesting in the way that you started to get a little anxious with the repetitious imagery, and then something new would happen or something would change. In terms of content, I feel that the repeated use of the cross on the body, particularly the female body, as drawn by (usually) the same man, might indicate some commentary on gender roles in religion. At the same time, when you could tell that these were just random people on the streets, it then connected me with religion and the masses. It's an interesting take, too, on consent: to be drawn on, filmed, (usually publicly) nude, etc, by people you do not know.

For Transformance by Nina Kurtela (Croatia/Germany, 2010, 10 minutes), there is a woman, sometimes sitting (on a couch), sometimes standing, and she stays still while a time lapse behind her occurs. The same is transforming around her from a warehouse for trams and buses to a dance studio. This time lapse occurs over 100 days. She changes, though, with the time, ever so slightly. Her movements are jagged, but she generally wears the same thing, though a scarf or her hairstyle may change. Some humorous things happen: people react to her every now and then, or she may be sitting on the couch while somebody is welding a beam in front of her. Then, when the area below her must change, and get lower, she then appears standing on top of a ladder (to keep her in the same place). Then, eventually, she's on a stack of pallets. I thought it was very funny, and very neat to watch the space change over time, and to see her so meticulously in the same place each day for each lapse of time, and the various ways they problem-solved to keep her in roughly the same place. I really enjoyed the piece.

For Paysage vectoriel no. 1 by Avi Rosen (Israel, 2010, 5 minutes), I feel like the audience just didn't know what to make of this. I found it very intriguing though! It was a vector landscape. At first you saw short red lines in various patterns seemingly reacting to the sounds. Then, sometimes you would see blurry images of somebody getting ready for the morning (it seemed). Sometimes, you would just see a grid of colored dots in squares, or a just a plain grid, or the grid with those red lines again, and everything seems to be reacting with the sound, and sometimes those patterns were overtop the blurred imagery. You could sometimes catch moments where those lines and dots formed the bowl and spoon, and you had a small "aha!" moment. The sounds helped you figure out what the grids, lines and dots might be forming. And then, I thought, well what if this landscape was in fact done the same way but with nature? —and then I thought that that couldn't work, because the vectorial landscape needed to be in the manmade landscape, at least for this piece, and then informs the conversation about what landscape is and could be.

Still Lives by Vincent Ducarne (France, 2010, 7 minutes) was very cool. Though it uses many film conventions I've seen before, I liked the pseudo-narrative it implied. You saw many different scenes, different emotions, different people, all "frozen" in time. They weren't truly frozen, and the part I liked was the fact that you could see this man holding so incredibly still, but the slight twitches in his hand and the slight breeze under the newspaper, made it very poetic. Also, on top of that, one of my favorite features of this piece was the use of sound, because the sound was at "normal" speed while everyone was frozen. You saw the person frozen, seemingly pouring coffee into a cup, but you heard the coffee being poured, you did not truly see it. You could capture the could-be conversation between the two people who have made eye-contact, even though they are not saying or doing anything. It was very interesting, though most of its features are conventions of film.

Back by Vicent Gisbert (Spain, 2011, 6 minutes) features silhouettes of a hooded figure, legs slightly spread, standing in a rocky field. You see wind turbines (sometimes with 6 or more blades) in the background, foreground, etc, varying transparencies. The hooded figures eventually seem to move or dance, and react slightly to sound. I'm not quite sure how to describe this one. It was very simple, and I think that's making it more difficult to figure out, or maybe it's not in fact that complex. Visually, it was very cool, because it had high contrast and was monochromatic. Not quite sure what to say other than, "it looked cool."

I'm going back tonight to see more films. I'll let you know in Part 2 what I think of some of those!

Senior Thesis Exhibition:"Line"

http://www.sunjournal.com/encore/story/1008133 (Mar 31, 2011 12:00 am) ‘Line’ UMF exhibit features works of three senior art majors

FARMINGTON -- University of Maine at Farmington showcases the work of graduating art majors in the upcoming 2011 Senior Art Exhibit entitled “Line.” This exhibit is free and open to the public and runs from Thursday, April 7 through Sunday, May 15, at the UMF Art Gallery. An opening reception welcomes the public from 5 to 7 p.m., April 7.

This eagerly-anticipated senior capstone exhibit features the work of UMF seniors Kristen Bisson of Farmington, Annah Mueller of Oakland and Giselle Scherle, of Farmington. A dynamic and inventive digital media installation, “Line” alludes to the artists’ use of both drawn and written lines in their work.

Kristen Bisson’s work is concerned with the formation of personal identity through media, and explores the idea of the “virtual self” in a way that is both immediately appealing and thought provoking. Her animations are fresh, fanciful, sharp and insightful.

Annah Mueller’s work—large scale typographic installations and video works—concerns itself with the peculiar contradictions inherent in contemporary design language and the culture of advertising. Dense, elegant and strangely compelling, these pieces have a resonance that transcends their apparent simplicity.

Giselle Scherle has created a world unto itself, and a cast of animated characters to populate it. Her works are sometimes melancholy, often tragic, and always infused with a strangely poetic atmosphere. Scherle’s gestural painterly, highly evocative drawings are united into poignant explorations of universal human emotions.

The UMF Art Gallery is located at 246 Main St. in Farmington, immediately behind the Admissions Office. The gallery is open noon to 4 p.m., Tuesday through Sunday, during the UMF academic year and by appointment. For more information, or to make special arrangements, please call 778-7002, or email Elizabeth Olbert, director of the UMF Art Gallery, at elizabeth.olbert@maine.edu.

Creative Commons and Jamendo

I've found through the Creative Commons a fantastic music website called Jamendo.  This website is great, because if you're into free and partial copyright works, this place has loads of it.  I personally love using it to discover artists I may not normally see otherwise.  The mainstream music industry can get caught up in the capitalistic frenzy it's created for itself.  But, there are still artists out there who really focus on their music and their audience.  In fact, musicians don't make much of anything off of the CDs sold in stores.  That's all producer and music industry revenue!  The money the artist makes is through their concert tickets, merchandise sold at those events, or donations. I believe the Creative Commons to be a wonderful entity, because it allows for partial copyrights to your work.  Many go to jail for the use or distribution of something copyrighted without permission.  This world is about sharing ideas, not keeping them to ourselves.  There is no progress in that.  If we share our work and let others freely borrow and transform them, we are expanding and making deeper those ideas, furthering creativity and thought.  The Creative Commons allows for a variety of free licenses for one's work so that you can give the world what is yours on your terms.  You can reserve all rights to the work, or perhaps one option would allow it to be used for commercial use, etc.  The Creative Commons must grow.  Jamendo is also a wonderful resource for music.  I encourage everyone to check out these websites.

Sakky Art

So, my online friend showed me this website: http://www.livestream.com/sakkyart.  Sakky draws and crafts all sorts of different things, apparently.  I watched her today draw the human version of Queen Beryl from the Sailor Moon anime series.  I'm a huge fan of Sailor Moon, and of drawing, so it was really fun to watch her.  It also inspired me a bit to get back into my drawings.  I never seem to find the time; but I love it, and feel the need to improve.  Also, it makes me want to buy the highest-quantity package of Prismacolor markers.  It's on the wish list.  http://sakky-attack.deviantart.com/ is her DeviantArt account which also has her commission policy.  Enjoy!